"Gino is a Coward" is the song Springsteen based his 1988 Tunnel of Love Express tour show piece on, "I'm a Coward." It's one of those songs that prove that R&R lyrics do not have to be all that elaborate or sophisticated to really make a connection. "Gino is a Coward" is of the most simple poetry, yet it perfectly captures an emotion a lot of us are only all to familiar with. Within those rambling guitars and gusto vocals Gino Washington bares his Soul, he confesses a fear most of us like to leave unspoken, that we're simply affraid of love. We might just feel more fear for love than that grizzly bear Gino likes to wrestle. Love does have that power to paralyze us, to make you feel like your heart is bleeding on the floor. Love is a roller coaster ride of emotions, where it is not all that certain that the cart will stay on the tracks. Now, be honest, who isn't just a little scared of that! It is not without irony that the B-side is the haunting "Puppet on a String."
Gino Washington is one of those more rough and raggedy talents that got eclipsed by Motown's sun. With Detroit buddy's Nathaniel Mayer and Nolan Strong, he never gained the fame of a Marvin Gaye, but did become one of those cult figures that gained a quaint following amongst Garage bands and R&B fans who were drawn to the more unpolished side of the equation. Gino's dad had been a failed Blues singer, so Gino was aware of the disappointments the trade could bring. Yet when he saw Jackie Wilson perform, Gino knew what he wanted, he wanted to be on stage. After winning the talent contest on local television's Milky's Party Time four times in a row, Gino got his break with the fledging Correc-Tone label. "I'm a Coward" was the first single he ever cut, what a way to introduce yourself. Very few copies on this label were ever printed and very rare indeed today. The Ric-Tic version presented here is a re-recording of that very song, without the horn arrangement that is so prominently there in Springsteen's version. In the liner notes for the excellent compilation Gino explains what happened. "With the first time I cut the song, with the horns, it bombed! The arrangement was all wrong, so I went in with Jeff and the Atlantics and tried my arrangement". Correc-Tone than put the single out on their subsidiary Sonbert, when the song broke in Detroit Ric-Tic picked it up nationally.
By the time "Gino is a Coward" started to hit, there was only one thing keeping Gino from the top, those pesky Beatles. As influential as the Beatles may have been, they did change the market. Just when white teen-agers started to discover R&B and allowing people like Gino Washington and Gary 'US' Bonds some cross-over success, the Beatles gave those very white teens a clean cut, easier to identify with, alternative. Though in Gino's case it might also have had something to do with his way of doing business. As Jeff remembers in those same liner notes, the shows were getting bigger and bigger after "Gino is a Coward" hit. Gino got the chance to open up for quite a few big names, the Four Seasons, the Beach Boys, the Rolling Stones. The problem was Gino was always late. He'd walk in the very last minute, dressed to kill looking ready to do business. The promoter got fed up with them and when Gino showed up late for the Beach Boys gig, he yelled; "That's it you're not doing the Beatles." If the reaction he evoked during the live shows is any indication, Gino could have been bound for much greater things. Not everybody gets an audience hollering his name, "Gino! Gino! Gino!," during a Rolling Stones concert! If you want to know what Gino is all about, keep an eye on him. He's still out there on the road somewhere, like at last edition of the Ponderosa Stomp! What ever you do though, don't ever mistake him for that fraud Geno Washinton!
It all started in 1976 with the release of the Spitballs LP. The idea of Spitballs was to get all the people together who recorded for Beserkely Records and get them to record their favourite "oldies". A lot of these had been big hits like "Just Like Me" and "Telstar". But some were new to me. One of the ones that I'd never heard before was "Gino Is A Coward". What a great song but where did it come from? Then the folks at Kicks/Norton stepped in to solve the riddle - the song had originally been recorded by Detroit singer Dino Washington. Norton release an LP of Gino material and all was revealed. For more info on Gino Washington, check out his MySpace page. There are no versions of this song on eMusic: these versions were ripped from the Norton CD (Gino) and from the vinyl LP (Spitballs). On my most played song charts (at Last.FM) the Gino Washington version is currently #50 and the Spitballs version is at #97.
I'm revamping the Boot Tracker by combining them with your stories. One of the things I enjoy about the message boards are the touching, crazy and exiting stories that pop up from time to time. Great yarns on what impact the very first show had, wicked exploits, grand adventures, heart breaking tales, they've all passed by. I would like to give some of those stories a home here on Boss Tracks by combining them with the recording of your personal show of legends!
So if you were at one of those legendary shows, if you had a lucky encounter with the man himself, if you recall the very moment you were converted to the E-Street nation, let me know. Pictures to go with them are appreciated, but not necessary and it always helps if you own a recording of the show, but the story is what matters!
You can send your contributions to soulboogiealex@gmail.com. I look forward to them. And who knows, with Boss Tracks currently linked up to the official site, some one else might take a sneak at them as well. After all, the tour's over, what else is he going to do with his time!
Welcome saints and sinners, A while back as a big Soul music fan I started a blog called the Soul Shack. Almost immediately other things leaked into the blog besides Soul. Music and movies that weren't necessarily Soul music but did get to the soul. One of those interests was the music of Bruce Springsteen. I'm a big fan of the man and every month there were one or two items that just kind of sneaked in there. One of the main attractions to me about Springsteen is how you can trace the history of R&R through his music. Not only are his own songs littered with references to the past of R&R but the man also covered hundreds of songs from R&R's rich past. In all there are over a thousand.
A while back I decided to start chasing these sides, begin a collection of original 45 rpm records that Springsteen covered or overtly referred to in his music.Reason enough to start a new blog dedicated to the works of Springsteen and those who inspired them. There are a multitude of websites and blogs already dedicated to the man, but I feel this approach does have something to add to those corners on the world wide web.
So what to expect? In the coming years I will review songs that were either covered by Springsteen or referred to in his songs as soon as I find the original version on a 7" record. Real vinyl, no CD and certainly no mp3 or other digital format. Expect only the real deal here. I'll try to post about all those treasure troves I hope to find here. Besides that I will be reviewing Springsteen related material found on vinyl, records written or produced by him or members of his band.Every find will be available in mp3 format for a short period of time if possible backed with a live version of Springsteen if available. MP3 files are posted here strictly for the purpose of music criticism and comparison and therefore fall under the "fair use" guidelines of U.S. copyright law. If you find any material here on Boss Tracks that you feel violates your intellectual property be free to contact me at soulboogiealex@gmail.com.This will be a labor of love and it is not my intention of stepping on any body's toes here.
To flesh the site out a little, Boss Tracks will also feature a monthly Bosscast. A pod cast dedicated to the music of Bruce Springsteen, the roots of his music and related artists. There will be occasional concert reviews, articles found on the net and in depth reviews of his own work. If there is anything you'd wish to contribute, Boss Tracks will be open to other users. Just drop me an e-mail if you've got a nice find yourself you wish to review!Hope to find you here chasing with me!
2 comments:
Loved this tour, loved the horns.
I didn't know that this was a cover tune.
It all started in 1976 with the release of the Spitballs LP. The idea of Spitballs was to get all the people together who recorded for Beserkely Records and get them to record their favourite "oldies". A lot of these had been big hits like "Just Like Me" and "Telstar". But some were new to me. One of the ones that I'd never heard before was "Gino Is A Coward". What a great song but where did it come from? Then the folks at Kicks/Norton stepped in to solve the riddle - the song had originally been recorded by Detroit singer Dino Washington. Norton release an LP of Gino material and all was revealed. For more info on Gino Washington, check out his MySpace page.
There are no versions of this song on eMusic: these versions were ripped from the Norton CD (Gino) and from the vinyl LP (Spitballs). On my most played song charts (at Last.FM) the Gino Washington version is currently #50 and the Spitballs version is at #97.
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