Saturday, July 19, 2008

Boss Tracks, 96 Tears,? & the Mysterians

True to their name, the roots and career of ? & the Mysterians is shrouded in mystery. I rarely found so many conflicting sources on a 45 as I did on this one. Though ? & the Mysterians only scored one major hit with "96 Tears" they are often seen as the band that started the Garage Rock revolution as well as being the first Latin-American Rock band. Further digging into that lineage however makes matters confusing. Though ? claimed in a recent interview they were there well before the Beatles and the Stones, various sources confirm the first live appearances of the Mysterians somewhere around 1964. Though one source claims that the original base player of the group, Larry Borjas, came up with the band in 1962 when he saw a Japanese sci-fi flick by the name of the Mysterians. That would mean the band had existed for two years before the Beatles would break in the USA. This version of the story is confusing however, because other sources claim that the band started out as XYZ and ? at insistence of their lead singer who's actually legally is ?. Not spelled as Question Mark as some sources print it, but the actual glyph is his name, decades before theartistformallyknownastheartistformallyknownasPrincenowagainknownasPrince decide to change his name to a symbol.

Just as the origins of the band, ? true background remains shady. Some sources have it that his real name is Rudy Martinez, brother of drummer Robert Martinez. ? has always denied this. If we are to believe this man who is never caught without his sunglasses on, ? was born on Mars ten thousand years ago and lived among Dinosaurs. Whatever their true origins it was ? who penned the song, initially called "69 Tears," the title changed to "96 Tears" out of fear soixante neuf was to explicit to get them any airplay. According to ? the single was recorded for 50 dollars on a outdoor patio in 1966 and first printed in 750 copies for their managers Pa-Go-Go label. Before long the song became a radio hit and the group signed with Cameo Parkway records, home of Bobby Rydell. Allegedly they picked the label because its logo had ?'s favorite color in it, orange. With Cameo's distribution backing them up the song shot to the top spot of the charts in 1966. Adding to the mystery however, 1963 is the date printed on the label of the 45. The trademark organ riff that made the single so successful has had musicians debating since whether its a Farfisa or a Vox Continental. Recording sessions for the now legendary album "96 Tears" followed the success of the single, spawning another hit "I Need Somebody," which clocked in at #22. Unfortunately right after the group had recorded and released their second album "Action," Cameo-Parkway went belly up and professional vulture Allen Klein got a hold of the rights and master tapes. As a result, the classic single released in 1966 was scratched for release on the original Nuggets lp. For some reason Allen likes to sit on material he owns. Allen's label ABKCO didn't re-issue the original recordings until 2005.

While the original Mysterians fell apart more than once in the past few years ? always stuck around. In a recent interview he claimed that it has always been easy to find other Mysterians and keep touring. ? also claimed he will be performing "96 Tears" well into the year 10.000. I believe him, for a man born on Mars anything is possible.

? & the Mysterians


Available on The Best of ? & the Mysterians: Cameo Parkway 1966-1967

Bruce Springsteen 2003, featuring Garland Jeffreys

MP3 File

Read more on ? and the Mysterians here
Check out the official site of ? and the Mysterians


Friday, July 18, 2008

Boot Tracker, July 11th 2008, Helsinki (Ev2)

Usually Ev2 releases are very good news. I've come across few Ev2 recordings that disappoint me. Quite a few of them I rank amongst the best Springsteen bootlegs out there. Unfortunately this Helsinki bootleg testifies that even Ev2 can have releases that do not quite live up to my expectations. To be fair, Ev2 set the bar high for himself and Helsinki is still a pretty decent tape and a very enjoyable listen, just with a few more glitches than I hoped. There's quite a bit of distance in the sound and the recording is marred by a strange swirl, with a few drops throughout the recording. Part of this is probably caused by the way it was recorded. As I understand it the taper, Drunkenmaster, used the internal microphones on his Zoom digital recorder. Those internals work well enough with acoustic shows, but electric shows like these simply need more refined recording equipment.

Still, this release does a very decent job of capturing a fun show. The electric debut of "Youngstown" would be worth the price of admission alone. But to top it off there's the romantic double punch of Sandy and "I'll Work For Your Love" and the R&R rave up pairing of "Summertime Blues" and "Sherry Darling". "Mary's Place" is re-claiming its spot as the show piece, slowly expanding with a bit of that preacher shtick, but still about eight minutes shorter as during the Rising tour. By including songs as varied as "Pointblank" and "Born in the USA," contrasting hidden gems with 'overplayed' stadium monsters, the subtle with the blatant, Springsteen manages to give a career overview few greatest hits CDs could do over the course of the evening. Helsinki will also go down in history as the show where Springsteen threw his oddest curve ball yet, near old saint Nick's home, Santa came to town in mid July. Breaking the record for earliest occurrence held by the September '78 appearance. Another triumph the '78 tour cannot take away from this magical 2008 tour.

"Santa Claus is Coming to Town"

MP3 File

Download the full show in mp3 here
A small request, use mp3s for personal use only. Keep them in your iPod or on your computer but never use a mp3 based CD in a trade. The quality of mp3s deteriorate rapidly every time a CD is ripped. Using high quality music files such as FLACs is essential in keeping the trading pool healthy.

Recording: 3+ out of 5
Show: 5 out of 5
Artwork: 4 out of 5