"...it was like he came along and whispered some dream in everybody's ear, and somehow we all dreamed it." Bruce Springsteen
A perfect Springsteen quote for this Elvis find I would say. Not really a single but an EP, "Follow That Dream" is Elvis' soundtrack to the Hollywood flick by the same name released in 1962. Elvis had been home from the army for two years. The once R&R rebel had been transformed into an all American teddy bear, as harmless yet tasty as apple pie. Just how much the establishment had embraced him was illustrated by the welcome home bash Frank Sinatra threw him on television. Elvis went from R&R to a Pat Boonified brand of Pop faster than anybody would have thought possible. Serving in Germany had made a bona fide American hero out of him. Priscilla Beaulieu, whom Elvis met in Europe, arrived on American soil in 1962 and would soon make an honorable husband out of the nation's most desired bachelor. Maybe that's why the climax of "Follow That Dream" flick is Elvis singing the title song in an unbuttoned shirt, for all of America's teenage girls to gawk at.
Maybe its the cheesiness of the whole affair that makes the song stand out so much. "Follow That Dream" is arguably Elvis' strongest effort from the Hollywood era. Though sugar coated with a syrupy choir the song is propelled by a driving Rockabilly rhythm with some of the King's most convincing vocals of the times. Maybe because the song reflected the dream Elvis was pursuing when he ventured into the R&R business. Elvis hardly chased the aesthetics of R&R in his career, he rather used R&R as a vessel to get his slice of that American dream pie for himself. In my mind it is in this uninhibited hunger for success, including the glitter and glamor that came with it, that caused Elvis to become a caricature of the genre he propelled into orbit and that very American dream. Critics often feel that Elvis betrayed the dream of R&R, I wonder if it was his dream in the first place. I think the King just wanted to be part of that main stream America that was denied to his parents. The song is a stunning contrast with the fleeting Hollywood flick that only set out to cater the day dreams of little teenage girls and not much more.
It is no secret that Springsteen was a huge Elvis fan. Critics have often pegged Springsteen as the man who delivered Elvis' perceived promise, even though we would never agree on the Boss as much as the King. The cover of "Born to Run" can see him sporting an Elvis button on his crunchy leather jacket, perfectly in sync with this early myth building. On a side note, even the button has a mildly amusing story behind it that might indicate that the Boss once was part of 'the King's Court', a New York based fan club. Unfortunately the records of that fan club show no proof of that. But I wouldn't put it past the Boss to have been a fan boy, not quite dissimilar to us. Maybe that's why Springsteen couldn't resist the temptation of jumping Elvis' fence in '76 when he was playing Memphis.
Springsteen's admiration of Elvis led to him not only covering the song, but doing a re-write, trying to capture the spirit of the song while adapting it to his own voice. In Springsteen's hands the lyrics were significantly altered while the melody took the form of a prayer. Though the song debuted during the River tour, it wasn't recorded until 1983. Though the studio version was suggested by Jon Landau for the "Born in the USA" album, it didn't make the final cut. Together with "Protection," "Janey Don't You Loose Heart" and a ballad called "My Love" Bruce scratched those from Landau's proposed track list, proving to his own Colonel Tom Parker who's Boss perhaps. But it could simply be that Springsteen's camp wasn't looking forward to dealing with the legalities of including a song, changed as it may be, still had a strong lyrical resemblance to the version Elvis recorded. After the River tour where the song was played played 25 times, it would slowly fade from Springsteen's live sets. The next to last appearance of the song was by request of a fan during the '88 Basel Switzerland show, featured in the video above. After that the song disappeared in the vaults, being skipped once again for the "Tracks" boxed set. The song made one isolated reappearance during the Rising tour however, so who knows, with how the Magic tour is currently developing, we may get a taste of this gem yet.
I'm revamping the Boot Tracker by combining them with your stories. One of the things I enjoy about the message boards are the touching, crazy and exiting stories that pop up from time to time. Great yarns on what impact the very first show had, wicked exploits, grand adventures, heart breaking tales, they've all passed by. I would like to give some of those stories a home here on Boss Tracks by combining them with the recording of your personal show of legends!
So if you were at one of those legendary shows, if you had a lucky encounter with the man himself, if you recall the very moment you were converted to the E-Street nation, let me know. Pictures to go with them are appreciated, but not necessary and it always helps if you own a recording of the show, but the story is what matters!
You can send your contributions to soulboogiealex@gmail.com. I look forward to them. And who knows, with Boss Tracks currently linked up to the official site, some one else might take a sneak at them as well. After all, the tour's over, what else is he going to do with his time!
Welcome saints and sinners, A while back as a big Soul music fan I started a blog called the Soul Shack. Almost immediately other things leaked into the blog besides Soul. Music and movies that weren't necessarily Soul music but did get to the soul. One of those interests was the music of Bruce Springsteen. I'm a big fan of the man and every month there were one or two items that just kind of sneaked in there. One of the main attractions to me about Springsteen is how you can trace the history of R&R through his music. Not only are his own songs littered with references to the past of R&R but the man also covered hundreds of songs from R&R's rich past. In all there are over a thousand.
A while back I decided to start chasing these sides, begin a collection of original 45 rpm records that Springsteen covered or overtly referred to in his music.Reason enough to start a new blog dedicated to the works of Springsteen and those who inspired them. There are a multitude of websites and blogs already dedicated to the man, but I feel this approach does have something to add to those corners on the world wide web.
So what to expect? In the coming years I will review songs that were either covered by Springsteen or referred to in his songs as soon as I find the original version on a 7" record. Real vinyl, no CD and certainly no mp3 or other digital format. Expect only the real deal here. I'll try to post about all those treasure troves I hope to find here. Besides that I will be reviewing Springsteen related material found on vinyl, records written or produced by him or members of his band.Every find will be available in mp3 format for a short period of time if possible backed with a live version of Springsteen if available. MP3 files are posted here strictly for the purpose of music criticism and comparison and therefore fall under the "fair use" guidelines of U.S. copyright law. If you find any material here on Boss Tracks that you feel violates your intellectual property be free to contact me at soulboogiealex@gmail.com.This will be a labor of love and it is not my intention of stepping on any body's toes here.
To flesh the site out a little, Boss Tracks will also feature a monthly Bosscast. A pod cast dedicated to the music of Bruce Springsteen, the roots of his music and related artists. There will be occasional concert reviews, articles found on the net and in depth reviews of his own work. If there is anything you'd wish to contribute, Boss Tracks will be open to other users. Just drop me an e-mail if you've got a nice find yourself you wish to review!Hope to find you here chasing with me!
1 comment:
Excellent post. The Elvis story, and the Bruce connection, can never be told enough.
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