In this blog I strive to go for the original recordings of a song. On this occasion I felt it was warranted to go with the second recorded version. It was the Rivieras proto-Garage version that made this Henry Glover song into a hit after all. Joe Jones' original take on the song had barely dented the charts. The Rivieras' version however made it all the way up till the number two spot on the Billboard charts in 1964. Held back only by those pesky Beatles, who had just started to take the nation by storm with their first American release "I Want to Hold Your Hand". The Rivieras recording session pre-dated that Beatles release. In that sense it the Rivieras' success proves that self-contained bands were already scurrying in their garages before America noticed those British mods. Contradicting popular believe that the Beatles were at the root of the tidal wave of self contained American R&R groups. Though they no doubt enforced that development in R&R, it seems to me that it was more a parallel movement than is acknowledged in popular culture today. The Rivieras would soon disappear in obscurity however. Their musical chops were far to raggedy to produce a successful follow-up, plus the draft soon got about half of the band. It was the Rivieras version however that would lead to the song's most famous incarnation by the Ramones over a decade later when the world became sick and tired of the pompous album rock the Beatles had help create. The Riviera's California Sun would prove to be the kick start of the Surf craze, not bad for a band from Indiana.
Still their fate was better than Joe Jones, who originally tried his hands on the song for Roulette. Label owner Morris Levy had convinced Henry Glover to come over to his label to set up the R&B department. While proficient in the Jazz market, Roulette still had to crack that far more lucrative market. That Joe Jones even came to record the song was something of an odd twist of events. Jones' run with the label had failed to produce any hits. Under the impression Roulette had forgotten about him, he cut You Talk To Much for the New Orleans based Ric label. The song had been written by Fats Domino's brother in law Reggie Hall, but rejected by the Fat Man because he felt the song had no potential. When New York radio stations started picking up Joe Jones' version on Ric, it appeared Fats' instincts had failed him. Roulette soon remember they had signed Jones and filed an injunction against Ric, re-releasing the song on Roulette, scoring a major national hit. So it was in pursuit of a follow-up that New Orleans based piano player Joe Jones came to record California Sun, half a continent away from the songs subject matter. As mentioned, without the hoped for success.
Henry Glover's career however had been much more successful. As it often goes with producers, their significance to the history of R&R tends to get obscured by the performing artists. Many of them who wouldn't have been as successful without their producers in the first place. Glover was one of the first black record-executives the industry had ever seen. A status he acquired on the basis of being able to write hits across the board. Springsteen fans may be familiar with Glover's Seven Nights to Rock, Henry wrote for hillbilly piano player Moon Mullican over at Syd Nathan's King studios in Cincinnati. Just as easily Glover produced hits for the immensely popular and influential Hank Ballard & the Midnighters (the band that started the original Twist craze). Similarly Glover was at the cradle of many careers. Glover produced James Brown's early hits, guided Little Willie John's career and convinced the Hawks to pursue a career of their own, away from Ronnie Hawkings shadow, a move that led to the Band, Bob Dylan's most famous backing group and another source of inspiration for the Boss, who covered their Rag Mama Rag during the Seeger Sessions tour. But that's a story for another day. Meanwhile enjoy a little sunshine on the edge of winter with the Rivieras.
Sprinsgteen played a snippet California Sun in Light of Day during his infamous October 23rd 1999 Reunion tour show in L.A. and again on November 9th 2007 at a benifit show for Joe Torre's Safe at Home Foundation. See a video here thanks to Pam from BTX.
I heard the Joe Jones version on Bob Dylan's Theme Time Radio Hour. It's been a pretty painless way to hear some interesting alternative versions of great songs.
The Rivieras definitely got it right though.
By the way, thanks for the great link to the collection with the Joe Jones version. That looks like one Hell of a great CD. Will have to check it out.
I'm revamping the Boot Tracker by combining them with your stories. One of the things I enjoy about the message boards are the touching, crazy and exiting stories that pop up from time to time. Great yarns on what impact the very first show had, wicked exploits, grand adventures, heart breaking tales, they've all passed by. I would like to give some of those stories a home here on Boss Tracks by combining them with the recording of your personal show of legends!
So if you were at one of those legendary shows, if you had a lucky encounter with the man himself, if you recall the very moment you were converted to the E-Street nation, let me know. Pictures to go with them are appreciated, but not necessary and it always helps if you own a recording of the show, but the story is what matters!
You can send your contributions to soulboogiealex@gmail.com. I look forward to them. And who knows, with Boss Tracks currently linked up to the official site, some one else might take a sneak at them as well. After all, the tour's over, what else is he going to do with his time!
Welcome saints and sinners, A while back as a big Soul music fan I started a blog called the Soul Shack. Almost immediately other things leaked into the blog besides Soul. Music and movies that weren't necessarily Soul music but did get to the soul. One of those interests was the music of Bruce Springsteen. I'm a big fan of the man and every month there were one or two items that just kind of sneaked in there. One of the main attractions to me about Springsteen is how you can trace the history of R&R through his music. Not only are his own songs littered with references to the past of R&R but the man also covered hundreds of songs from R&R's rich past. In all there are over a thousand.
A while back I decided to start chasing these sides, begin a collection of original 45 rpm records that Springsteen covered or overtly referred to in his music.Reason enough to start a new blog dedicated to the works of Springsteen and those who inspired them. There are a multitude of websites and blogs already dedicated to the man, but I feel this approach does have something to add to those corners on the world wide web.
So what to expect? In the coming years I will review songs that were either covered by Springsteen or referred to in his songs as soon as I find the original version on a 7" record. Real vinyl, no CD and certainly no mp3 or other digital format. Expect only the real deal here. I'll try to post about all those treasure troves I hope to find here. Besides that I will be reviewing Springsteen related material found on vinyl, records written or produced by him or members of his band.Every find will be available in mp3 format for a short period of time if possible backed with a live version of Springsteen if available. MP3 files are posted here strictly for the purpose of music criticism and comparison and therefore fall under the "fair use" guidelines of U.S. copyright law. If you find any material here on Boss Tracks that you feel violates your intellectual property be free to contact me at soulboogiealex@gmail.com.This will be a labor of love and it is not my intention of stepping on any body's toes here.
To flesh the site out a little, Boss Tracks will also feature a monthly Bosscast. A pod cast dedicated to the music of Bruce Springsteen, the roots of his music and related artists. There will be occasional concert reviews, articles found on the net and in depth reviews of his own work. If there is anything you'd wish to contribute, Boss Tracks will be open to other users. Just drop me an e-mail if you've got a nice find yourself you wish to review!Hope to find you here chasing with me!
1 comment:
I heard the Joe Jones version on Bob Dylan's Theme Time Radio Hour. It's been a pretty painless way to hear some interesting alternative versions of great songs.
The Rivieras definitely got it right though.
By the way, thanks for the great link to the collection with the Joe Jones version. That looks like one Hell of a great CD. Will have to check it out.
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