Showing posts with label Count Basie Show. Show all posts
Showing posts with label Count Basie Show. Show all posts

Friday, May 9, 2008

On the Tracks; May 7th 2008, Count Basie Theater, Red Bank NJ

I've been wanting to do a segment on this blog for fan reviews but up till now didn't quite know how to handle it. The Count Basie show seemed like a perfect point to start. There certainly seemed to be a gap between how I experienced the show by listening to the tape and what the people who had actually been there made of it. So here to set me straight, a review by an eye witness, one of Jersey's finest, Wendy Bond!

I saw Bruce Springsteen and the E Street Band perform at The Count Basie Theatre in Red Bank, New Jersey on Wednesday, May 7th, 2008. They performed their albums “Darkness on the Edge of Town” and “Born to Run”, plus a few terrific encores. Not only was it the best Springsteen show I’ve ever been to, but, it was the best live show I’ve ever been to, period. Those of you who know me know I’ve been to a lot of other bands’ shows but came on the “Bruce train” later than most fans. So in order to get a good overall perspective on it, I asked some of my friends who were there and have been going to Bruce shows for 30+ years what they thought of the show. They all agreed that it was the best show they’ve ever been to as well. So, what was it that made this show—this night—so special?

It was a combination of a lot of things. One reason is because it was a fundraiser ($3 million dollars were raised) for The Count Basie Theatre for their upcoming renovations. So it was a different kind of show from the outset. The Basie holds only 1,500 people, so it’s a very intimate venue, about the size of a high school theater. Also, due to the fact it was a fundraiser, tickets were priced much differently for this show than they are for a “regular” Bruce Springsteen and the E Street Band show during a “regular” tour. As a result, there was a very unique mix of people in the crowd. I saw some beloved friends who I have gotten to know from going to Bruce shows, and also met some other very nice people who are devoted Bruce fans that I might not have met at a “regular” show. An important part of this audience were 37 wounded veterans who came from the Walter Reed Medical Center in Washington for the show. From what I understood from the introductions, donations were made to the Basie so that these people could enjoy the show for free. Perhaps Bruce had this unique mix of people in mind when he was designing the setlist for the show. It certainly worked—regardless of whether you’re a casual fan who came to see a great night of entertainment to support the Basie and have a good time, or, if you’re a die-hard Springsteen fan frothing at the mouth to get into this show, chances are, you were familiar with the music. For many people in the audience, these songs were the anthems of their young adulthood. The fact that the evening took place just down the road from Tenth Avenue and E Street in Belmar, the boardwalk in Asbury Park, Highway 9, and so many other key landmarks—the foundations of so much of Bruce and the Band’s history—made it even more special.

Another factor that made the show so unique is that the material was presented as though it was brand new and fresh. Even for those who had been listening to these albums for 30 + years, there was a breath of fresh air and new life in these songs, because there was so much energy coming from onstage. The audience definitely reacted to that, which energized Bruce and the band even more, and it became a continuous cycle. From my seat smack dab in the middle of the middle of the center orchestra, the audience was electrified. I did heads-together sing-alongs with the people on either side of me, who were complete strangers. At one point Bruce jumped off the stage and “crowd-surfed”, allowing the audience to carry his body over their heads. It was incredible. These songs weren’t just performed one after the other in any kind of repetitious way—each one was a special adventure all its own. The result was a powerful whole that was greater than the sum of its parts. Yet another reason this night was so emotionally charged is that it took place soon after the death of Danny Federici. He was there in spirit, though, and the thought was never far away, for me at least, that life is precious and fleeting and nights like these are very special.

This night was both a look back in history and a celebration of the present. It was about honoring the past and remembering your roots, while living in the moment and realizing “it ain’t no sin to be glad you’re alive”.

"Kitty's Back"

MP3 File

Thursday, May 8, 2008

Boot Tracker, May 7th 2008, Count Basie Theatre, NJ

Springsteen performed two of his classic albums in sequence last night in the Count Basie theater. I'll be honest from the get go. When I saw the set list I didn't know what to think of it. I still don't. I am not a fan of artists doing their albums in sequence live. To me it reeks to much as a classical recital. R&R is supposed to be something else, something that pushes the boundaries, an art form that is relevant, relating to the here and now. Lou Reed recently toured behind the "Berlin" album, ruining on stage what once was a masterpiece. I was affraid that Springsteen might be disappointing doing something of the same thing. I feel that performances of this kind reek too much of nostalgia, an d too little of what an artist is about in the here and now. Springsteen has always partly been driven by a desire to be true to his art. Is a recital truthful? I have difficulty answering that question. Of course you can count on the mighty ESB to always deliver and give a mighty performance, that isn't the problem. The question is if they can deliver two classic albums and live up to the expectations of fans who have been waiting to hear this for thirty years. In the case of "Darkness on the Edge of Town" including Springsteen himself. It is no secret that he was never satisfied with the way the album turned out and has been talking about recording it live almost from the day the album was released.

So the question is if this performance lives up to his and our expectations. It wont surprise anybody that the Red Bank performance doesn't. This isn't the majestic performance fans have created in their minds over the years, nor could it be. The recital of our fantasies is put together out of the best of the performances he's given over the thirty years he's been touring behind the material. Any current performance he'll give is bound to have moments where it doesn't live up to our mental picture. But perhaps this performance shouldn't be judged in that light, by those high standards. What I am listening to is a very solid rendition of a collection of songs that we all seem to agree upon. "Born To Run" and "Darkness on the Edge of Town" are the corner stones of his career. And I admit he still does them justice. Springsteen still delivers the material with a fervor. He sings every song like he still feels every word, is still able to give them new meaning. The band plays the material with a youthfulness that is uncanny and funnily enough, they play some of the songs better these days than they did during the legendary '78 tour. The E-Street Band is tighter than it has ever been, which helps songs as "Badlands" tremendously. But even though they play the hell out of the songs, you can't help but think back to the intro the Boss used to do before tearing into "Prove It All Night".

Maybe its the setting, the E-street Band back in the theater. The whole show, the circumstances almost forces your memory back to a time thirty years ago. But that is exactly where this evening sits uneasy with me. From the sounds of it the people in the Count Basie Theater got an amazing show, yet I cannot bring myself to enjoy this recording as much as I do an average Magic show. No matter how many killer solos Nils throws at this material, no matter how well the horn section works, how good Springsteen's voice is or how many solos Clarence nails, it does not live up to my expectations nor does it really bring back the shows thirty years past. I keep wondering if the show would have been better if the material played would have been more representative of his entire career. The Basie show would have been an excellent opportunity to throw us some real curve balls, although you may argue that this is indeed the mother of all curve balls, but maybe you understand what I'm getting at. Rare songs, rare covers, mixed with new material, stories that relate to the here and now, stories of Danny Federici, I can't help but miss that in this show.

This is undeniably nit picking from a fan who wasn't there though. As this recording illustrate, the Basie wasn't about to spoil their fun with concerns as these. The band is giving a hell of a show and seems to be getting an equal response. How could they not, small theater Springsteen is a rarity, the Boss crowd surfing even more so. Funny thing is, this recording even sounds like a classic audience tape. Some of the old warts are back that were missing from the arena tapes. People clapping out of time up front, sound drops, chatter, it is all there. The band sounds a bit distant, but a lot less hollow because of the acoustic. Theater tapes carry a lot less echo. This tape is a nice representation of an oddity in Springsteen's career. Fun to listen to, but nothing that will find you throwing out those classic albums with the trash. And lets be honest, how many bootlegs will you find these days that end with "Raise Your Hand"!

"Street Of Fire"

MP3 File

Download "Darkness on the Edge of Town" here
Download "Born To Run" here
Download the encores here

The official Count Basie Theater site

Recording: 3 out of 5
Show: 3,5 out of 5
Artwork: 3 out 5

Note: here's an alternative link to the entire show in one batch, courtesy of BTX.

Crystal Cat released their version of that already legendary Red Bank show Springsteen did at the Count Basie theater. Since it is a beefed up version of the recording that has already been floating around you can let it pass you buy. Crystal Cat really botched this one up. They made it into a two disc release. "Thunder Road" actually comes at the end of the first disc, destroying the concept of the show. I'm glad I got this one for free and didn't shell out my hard earned cash on a silver disc copy.

Get the Crystal Cat Red Bank release in mp3 here