It's been a long time coming, but now its here! The recording of the first night in Anaheim, out of a killer two night stand, is available through Jungleland. As the original liner notes to this tape attest we're very lucky to get it at all. Our hero taper for this show was in a financial tight spot, but still managed to scrape the money for the show and a bus ticket together. Sick as a dog on the night of the performance he set out to the Honda Center to capture this show for all eternity, only to be back past 3 in the AM, with a job waiting in the morning. We can't thank you enough! Anaheim must be the most awaited bootleg of the tour thus far and you gave us the chance to hear what others are raving about. As thankful as I am, I can't hide a bit of disappointment as well. Both Anaheim nights had the potential to become the best bootleg of the tour as they were arguably the best shows thus far. Judging on what I'm hearing here, the first night of the Anaheim stand was certainly the best show of the tour up to that point. Potentially the first Magic show to make it in a Top something of all time list.
Unfortunately the sound isn't up to it. The show was recorded from the upper decks, not the ideal place to be taping. We should really start helping tapers out with money for better seats. This Magic night in Anaheim is drowning in the echo that can't be avoided on the uppers, causing the sound to be hollow and the base to drone in the louder pieces, especially in the faster ones. This unfortunately takes some of the enjoyment away from the best opener this tour had up till this point, "Light Of Day"! In a killing lightening fast version it got the joint cooking within the first 5 minutes of the show. Anaheim would keep that hard rocking pace all night. "Gypsy Biker" crashed in to a red hot "Murder Inc", in the set before a feisty "Reason To Believe" we got a blazing "Trapped" followed by "Because the Night". That folks is dynamite a mere ten songs into the show. The show reached its peak with the already legendary "Ghost of Tom Joad" performance featuring Tom Morello from Rage Against The Machine. A unique performance we're likely never to see again. Not even Nils can touch Morello's absolutely raging solo. Morello's style is so distinct, it would be hard to copy. If there was still any doubt the Boss was on a roll that night, it was erased for good when after "Badlands" he kept spirits high by extending it with a full "Out In The Street". All of that before Rosie even came out to play in the encores and we went Ramrodding for ever more!
While the sound isn't what I hoped it would be, Anaheim is a very enjoyable bootleg to listen to if only for the energy of the evening coming across so well. The tape might be muddy and probably won't be competing as the best boot of the tour, it does represent an already legendary blazing performance. That alone makes it worth while to pick it up. Thanks for all the effort again!
A very good fan review from the show floating around on BTX.
2 comments:
Anonymous
said...
Disagree with your comment on Nils. Putting Morello in a league of his own based on this solo isn't fair. Because the night more than matches up. Other than that I agree with the review. The sound is listenable and I'm very grateful to the taper for making it to the show at all.
It is not that I meant to say that Tom is a better guitar player than Nils. But Morello does have a very distinct and unique approach to the guitar. I’ve seen Tom live a few times with his various bands, he has a signature sound that you’ll be able to pick out of a crowd. Just like Jimi Hendrix or J.J. Cale have a very personal signature sound. Nils is obviously one of Rock’s finest guitar players, but his approach differs from Morello’s and I doubt the latter’s will be easily copied.
I'm revamping the Boot Tracker by combining them with your stories. One of the things I enjoy about the message boards are the touching, crazy and exiting stories that pop up from time to time. Great yarns on what impact the very first show had, wicked exploits, grand adventures, heart breaking tales, they've all passed by. I would like to give some of those stories a home here on Boss Tracks by combining them with the recording of your personal show of legends!
So if you were at one of those legendary shows, if you had a lucky encounter with the man himself, if you recall the very moment you were converted to the E-Street nation, let me know. Pictures to go with them are appreciated, but not necessary and it always helps if you own a recording of the show, but the story is what matters!
You can send your contributions to soulboogiealex@gmail.com. I look forward to them. And who knows, with Boss Tracks currently linked up to the official site, some one else might take a sneak at them as well. After all, the tour's over, what else is he going to do with his time!
Welcome saints and sinners, A while back as a big Soul music fan I started a blog called the Soul Shack. Almost immediately other things leaked into the blog besides Soul. Music and movies that weren't necessarily Soul music but did get to the soul. One of those interests was the music of Bruce Springsteen. I'm a big fan of the man and every month there were one or two items that just kind of sneaked in there. One of the main attractions to me about Springsteen is how you can trace the history of R&R through his music. Not only are his own songs littered with references to the past of R&R but the man also covered hundreds of songs from R&R's rich past. In all there are over a thousand.
A while back I decided to start chasing these sides, begin a collection of original 45 rpm records that Springsteen covered or overtly referred to in his music.Reason enough to start a new blog dedicated to the works of Springsteen and those who inspired them. There are a multitude of websites and blogs already dedicated to the man, but I feel this approach does have something to add to those corners on the world wide web.
So what to expect? In the coming years I will review songs that were either covered by Springsteen or referred to in his songs as soon as I find the original version on a 7" record. Real vinyl, no CD and certainly no mp3 or other digital format. Expect only the real deal here. I'll try to post about all those treasure troves I hope to find here. Besides that I will be reviewing Springsteen related material found on vinyl, records written or produced by him or members of his band.Every find will be available in mp3 format for a short period of time if possible backed with a live version of Springsteen if available. MP3 files are posted here strictly for the purpose of music criticism and comparison and therefore fall under the "fair use" guidelines of U.S. copyright law. If you find any material here on Boss Tracks that you feel violates your intellectual property be free to contact me at soulboogiealex@gmail.com.This will be a labor of love and it is not my intention of stepping on any body's toes here.
To flesh the site out a little, Boss Tracks will also feature a monthly Bosscast. A pod cast dedicated to the music of Bruce Springsteen, the roots of his music and related artists. There will be occasional concert reviews, articles found on the net and in depth reviews of his own work. If there is anything you'd wish to contribute, Boss Tracks will be open to other users. Just drop me an e-mail if you've got a nice find yourself you wish to review!Hope to find you here chasing with me!
2 comments:
Disagree with your comment on Nils. Putting Morello in a league of his own based on this solo isn't fair. Because the night more than matches up. Other than that I agree with the review. The sound is listenable and I'm very grateful to the taper for making it to the show at all.
It is not that I meant to say that Tom is a better guitar player than Nils. But Morello does have a very distinct and unique approach to the guitar. I’ve seen Tom live a few times with his various bands, he has a signature sound that you’ll be able to pick out of a crowd. Just like Jimi Hendrix or J.J. Cale have a very personal signature sound. Nils is obviously one of Rock’s finest guitar players, but his approach differs from Morello’s and I doubt the latter’s will be easily copied.
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