"Stay" is a well known cover done by Bruce Springsteen and Jackson Browne, officially released on the No Nukes LP as a registration of the Musicians United for Safe Energy (MUSE) shows. The shows marked Springsteen's first overt political alignment in his career, so I figured it would be a good single to take a look at in the week of Springsteen's endorsement of Obama. The MUSE shows were put together after the Three Mile Islands nuclear accident. A near meltdown of a nuclear reactor caused widespread panic in the media. Partly because of of public ignorance concerning nuclear energy, partly because of very misty communication from the power plant and the local government on the matter which only fed public fear. The activist group founded by Jackson Browne, Graham Nash and Bonnie Raitt was part of the public reaction that caused to stop the further development of nuclear energy in the US dead in its tracks for quite a while. The reasons why Springsteen chose to become involved have always been a bit unclear. It is questionable how much of an understanding Springsteen had of the incident and unknown what his personal views on nuclear energy were. Springsteen chose to let the music speak for itself and didn't comment in public on his involvement. It could very well just be that he was simply doing Jackson and Bonnie a favor. How very different from these days, when the Boss seems to grab every opportunity to make his political views and his dissatisfaction with president bystander known. With MUSE Springsteen's most controversial statement was a pie he threw in the audience. Ironically, it is Springsteen's little outspoken involvement in MUSE that made the shows a financial success in the end. No Nukes did a five night stand at Madison Square Garden in September 1979, but only the nights on which Springsteen would do his hour long set sold out. Bonnie Raitt and Chaka Khan opened for him, the Bruuuuuuuuuucing during their sets must have been daunting I'm sure. The movie that came out of the MUSE project would be the first official release of Springsteen live on film.
"Stay" was the only single Maurice Williams and the Zodiacs ever had popular success with. Williams had written the tune when he was 13 years old about his girlfriend. R&R lore has it that she and Maurice were out on a date together cut short by the curfew imposed on his girlfriend by her parents. Maurice cut a demo of it and then shelved it because he personally didn't think much of the song. Some seven years later Williams was flipping through his demo tapes playing them for his girlfriend, still the same one, and her younger sister. They loved the song so Williams decided to cut what he felt was trash with his Zodiacs. It would become Williams only hit under his own name and a whopper at that. On its initial release "Stay" became a number one hit single, with 1 minute 40 the shortest song ever to top the charts. Henry 'Shane' Gaston's incredible falsetto blasted through every transistor radio in the country and eventually world wide. Although the Hollies, Jackson Browne and the Four Seasons all had big hits with the song, these days "Stay" is mostly associated with Patrick Swayze's muscular torso from the movie "Dirty Dancing" in which the song was prominently featured. In the oldies revival that followed that movie "Stay" was re-released, selling a whopping 10 million copies. Maurice Williams never scored another hit after "Stay" but that one song proved successful enough to keep his career afloat. These days he even has not one, but two official web sites! He even cut an album not to long ago, "Back To Basics", but I doubt it will bring him any success remotely as big as this classic 45.
"Stay" - Maurice Williams & the Zodiacs "Stay" - Bruce Springsteen & Jackson Browne at MUSE
I'm revamping the Boot Tracker by combining them with your stories. One of the things I enjoy about the message boards are the touching, crazy and exiting stories that pop up from time to time. Great yarns on what impact the very first show had, wicked exploits, grand adventures, heart breaking tales, they've all passed by. I would like to give some of those stories a home here on Boss Tracks by combining them with the recording of your personal show of legends!
So if you were at one of those legendary shows, if you had a lucky encounter with the man himself, if you recall the very moment you were converted to the E-Street nation, let me know. Pictures to go with them are appreciated, but not necessary and it always helps if you own a recording of the show, but the story is what matters!
You can send your contributions to soulboogiealex@gmail.com. I look forward to them. And who knows, with Boss Tracks currently linked up to the official site, some one else might take a sneak at them as well. After all, the tour's over, what else is he going to do with his time!
Welcome saints and sinners, A while back as a big Soul music fan I started a blog called the Soul Shack. Almost immediately other things leaked into the blog besides Soul. Music and movies that weren't necessarily Soul music but did get to the soul. One of those interests was the music of Bruce Springsteen. I'm a big fan of the man and every month there were one or two items that just kind of sneaked in there. One of the main attractions to me about Springsteen is how you can trace the history of R&R through his music. Not only are his own songs littered with references to the past of R&R but the man also covered hundreds of songs from R&R's rich past. In all there are over a thousand.
A while back I decided to start chasing these sides, begin a collection of original 45 rpm records that Springsteen covered or overtly referred to in his music.Reason enough to start a new blog dedicated to the works of Springsteen and those who inspired them. There are a multitude of websites and blogs already dedicated to the man, but I feel this approach does have something to add to those corners on the world wide web.
So what to expect? In the coming years I will review songs that were either covered by Springsteen or referred to in his songs as soon as I find the original version on a 7" record. Real vinyl, no CD and certainly no mp3 or other digital format. Expect only the real deal here. I'll try to post about all those treasure troves I hope to find here. Besides that I will be reviewing Springsteen related material found on vinyl, records written or produced by him or members of his band.Every find will be available in mp3 format for a short period of time if possible backed with a live version of Springsteen if available. MP3 files are posted here strictly for the purpose of music criticism and comparison and therefore fall under the "fair use" guidelines of U.S. copyright law. If you find any material here on Boss Tracks that you feel violates your intellectual property be free to contact me at soulboogiealex@gmail.com.This will be a labor of love and it is not my intention of stepping on any body's toes here.
To flesh the site out a little, Boss Tracks will also feature a monthly Bosscast. A pod cast dedicated to the music of Bruce Springsteen, the roots of his music and related artists. There will be occasional concert reviews, articles found on the net and in depth reviews of his own work. If there is anything you'd wish to contribute, Boss Tracks will be open to other users. Just drop me an e-mail if you've got a nice find yourself you wish to review!Hope to find you here chasing with me!
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