Betty Harris is one of the most respected figures in Soul music, for the connoisseurs at least, as she is unknown to the broader public. Most of that respect she gained on the basis of the single featured here today. Her version of "Cry to Me" is an absolute triumph. The slow dragged out church vocals betray a deep grief while she offers her comfort to the broken hearted. Betty Harris has been where disappointed in love are, her wounds never quite healed, sharing in a common pain. Recorded in 1963 for the Jubilee label, "Cry to Me" proved to be the template to which legends as Etta James and Aretha Franklin modeled their vocals. Though the song charted in an up-tempo version for Solomon Burke just a year before, Betty Harris managed to score her biggest hit with "Cry to Me", charting #23 in the Pop charts. It was her version that the Stones picked up, which subsequently led to the renditions done by Tom Petty and Bruce Springsteen. The frail Betty really managed to eclipse the 200 pound Burke, no mean achievement. As Harris remembered in 2004 this tour the force took a mere 3 takes to get on wax.
After recording a few more sides for Jubilee Harris would go on to record with the legendary Allen Toussaint on Sansu records. It was Toussaint who dubbed her the 'Soul Queen of New Orleans', even though she never lived in the city. Harris was born in Orlando. Typical for her status as forgotten Soul queen, biographers never got her birth date right. Most commonly the date's pegged at either '41 or '43, Betty Harris however is pretty sure she was born in '39. Though her Sansu sides cemented her status for the connoisseurs, she was never able to repeat the success of that first single. Toussaint coached Harris into a more funky and aggressive style, brilliant as those singles often were, it is the ballad material where Harris really shines. "Cry to Me" is soul supreme, often rivaled but never beaten. Springsteen performed this gem once on stage with Dr Zoom and the Sonic Boom. He did sound check the song in 1975 but never did play it on stage. Luckily this E-Steet version was captured on tape, though I suspect through the door as the recording is more than just a tad muddy.
I'm revamping the Boot Tracker by combining them with your stories. One of the things I enjoy about the message boards are the touching, crazy and exiting stories that pop up from time to time. Great yarns on what impact the very first show had, wicked exploits, grand adventures, heart breaking tales, they've all passed by. I would like to give some of those stories a home here on Boss Tracks by combining them with the recording of your personal show of legends!
So if you were at one of those legendary shows, if you had a lucky encounter with the man himself, if you recall the very moment you were converted to the E-Street nation, let me know. Pictures to go with them are appreciated, but not necessary and it always helps if you own a recording of the show, but the story is what matters!
You can send your contributions to soulboogiealex@gmail.com. I look forward to them. And who knows, with Boss Tracks currently linked up to the official site, some one else might take a sneak at them as well. After all, the tour's over, what else is he going to do with his time!
Welcome saints and sinners, A while back as a big Soul music fan I started a blog called the Soul Shack. Almost immediately other things leaked into the blog besides Soul. Music and movies that weren't necessarily Soul music but did get to the soul. One of those interests was the music of Bruce Springsteen. I'm a big fan of the man and every month there were one or two items that just kind of sneaked in there. One of the main attractions to me about Springsteen is how you can trace the history of R&R through his music. Not only are his own songs littered with references to the past of R&R but the man also covered hundreds of songs from R&R's rich past. In all there are over a thousand.
A while back I decided to start chasing these sides, begin a collection of original 45 rpm records that Springsteen covered or overtly referred to in his music.Reason enough to start a new blog dedicated to the works of Springsteen and those who inspired them. There are a multitude of websites and blogs already dedicated to the man, but I feel this approach does have something to add to those corners on the world wide web.
So what to expect? In the coming years I will review songs that were either covered by Springsteen or referred to in his songs as soon as I find the original version on a 7" record. Real vinyl, no CD and certainly no mp3 or other digital format. Expect only the real deal here. I'll try to post about all those treasure troves I hope to find here. Besides that I will be reviewing Springsteen related material found on vinyl, records written or produced by him or members of his band.Every find will be available in mp3 format for a short period of time if possible backed with a live version of Springsteen if available. MP3 files are posted here strictly for the purpose of music criticism and comparison and therefore fall under the "fair use" guidelines of U.S. copyright law. If you find any material here on Boss Tracks that you feel violates your intellectual property be free to contact me at soulboogiealex@gmail.com.This will be a labor of love and it is not my intention of stepping on any body's toes here.
To flesh the site out a little, Boss Tracks will also feature a monthly Bosscast. A pod cast dedicated to the music of Bruce Springsteen, the roots of his music and related artists. There will be occasional concert reviews, articles found on the net and in depth reviews of his own work. If there is anything you'd wish to contribute, Boss Tracks will be open to other users. Just drop me an e-mail if you've got a nice find yourself you wish to review!Hope to find you here chasing with me!
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