Pot noodles, that's what the title of Elvis Costello's new album Momofuku refers to. An album title so clever Costello needs to explain it in a press release on his site. The title is a tribute to the inventor of the pot noodle, Momofuku Ando. Elvis cleverly picked the title as a reference on how the album came to be. "Momofuku" was recorded and written within a period of three weeks. The result is the musical variation on pot noodles. Just poor some hot water in a plastic cup, filled with dried plastic looking noodles, throw some oddly colored herbs on them and you've got a tasty snack. Not exactly haute cuisine, but tasty, nothing more, kind of like Costello's new album, "Momofuku". The record comes as a pleasant surprise since Costello voiced his disgust with the industry not so long ago. The angry young man had become the grumpy old geezer, albeit a clever one at that. Though he threatened to hang up his R&R shoes, he's back with the Imposters.
In recent years Costello R&R output was meager to say the least. Elvis proved to hold quite a few more clever tricks up his sleeve that distracted him from making R&R. The results varied from interesting, like his collaboration with the Dutch Metropole Orkest on "My Flame Burns Blue", to close to brilliant on his last album with Allen Toussaint, "The River in Reverse". The few R&R albums he did release often seemed forced and too thought through, making me wonder if Costello still had it in him. "Momofuku" is a nice step in the right direction. Because of the way the record came about it has an infectious loose feel to it. On the stand out tracks you'd wish that Costello would record this way more often. But not all is good. For most part of the album it sounds like Costello these days is simply too clever for R&R. The album is filled with stylistic exercises that sound like they would have been best saved for maybe another collaboration with Burt Bacharach. While tracks like "American Gangster" are edgy little rockers and a return to form, jazzy Beatlesque exercises like "Mister Feathers" seem under developed. But I guess in the end the album lives up to its title. "Momofuku" is a nice snack, something to hold you over till dinner time.
I'm revamping the Boot Tracker by combining them with your stories. One of the things I enjoy about the message boards are the touching, crazy and exiting stories that pop up from time to time. Great yarns on what impact the very first show had, wicked exploits, grand adventures, heart breaking tales, they've all passed by. I would like to give some of those stories a home here on Boss Tracks by combining them with the recording of your personal show of legends!
So if you were at one of those legendary shows, if you had a lucky encounter with the man himself, if you recall the very moment you were converted to the E-Street nation, let me know. Pictures to go with them are appreciated, but not necessary and it always helps if you own a recording of the show, but the story is what matters!
You can send your contributions to soulboogiealex@gmail.com. I look forward to them. And who knows, with Boss Tracks currently linked up to the official site, some one else might take a sneak at them as well. After all, the tour's over, what else is he going to do with his time!
Welcome saints and sinners, A while back as a big Soul music fan I started a blog called the Soul Shack. Almost immediately other things leaked into the blog besides Soul. Music and movies that weren't necessarily Soul music but did get to the soul. One of those interests was the music of Bruce Springsteen. I'm a big fan of the man and every month there were one or two items that just kind of sneaked in there. One of the main attractions to me about Springsteen is how you can trace the history of R&R through his music. Not only are his own songs littered with references to the past of R&R but the man also covered hundreds of songs from R&R's rich past. In all there are over a thousand.
A while back I decided to start chasing these sides, begin a collection of original 45 rpm records that Springsteen covered or overtly referred to in his music.Reason enough to start a new blog dedicated to the works of Springsteen and those who inspired them. There are a multitude of websites and blogs already dedicated to the man, but I feel this approach does have something to add to those corners on the world wide web.
So what to expect? In the coming years I will review songs that were either covered by Springsteen or referred to in his songs as soon as I find the original version on a 7" record. Real vinyl, no CD and certainly no mp3 or other digital format. Expect only the real deal here. I'll try to post about all those treasure troves I hope to find here. Besides that I will be reviewing Springsteen related material found on vinyl, records written or produced by him or members of his band.Every find will be available in mp3 format for a short period of time if possible backed with a live version of Springsteen if available. MP3 files are posted here strictly for the purpose of music criticism and comparison and therefore fall under the "fair use" guidelines of U.S. copyright law. If you find any material here on Boss Tracks that you feel violates your intellectual property be free to contact me at soulboogiealex@gmail.com.This will be a labor of love and it is not my intention of stepping on any body's toes here.
To flesh the site out a little, Boss Tracks will also feature a monthly Bosscast. A pod cast dedicated to the music of Bruce Springsteen, the roots of his music and related artists. There will be occasional concert reviews, articles found on the net and in depth reviews of his own work. If there is anything you'd wish to contribute, Boss Tracks will be open to other users. Just drop me an e-mail if you've got a nice find yourself you wish to review!Hope to find you here chasing with me!
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